How to tell a story

How to tell a story

Tuesday, May 19, 2015

Two early stories from The Colorado Quarterly

The Thing at 34-03-15N, 118-15-23W

The Colorado Quarterly (Spring, 1969)

Charles Deemer



Falling into the generation gap, I miss Willie Mays' home run

I CAN HEAR THEM out there. They are, to ignore the language's index of elasticity, dancing. And they are dancing with each other, I am asked to believe, although the fact of the matter is that when I left the patio they were exhibiting their individual spasms of ecstasy over a separation of six to twelve feet. Now I ask you: is that dancing together? I will admit that they are — for lack of a better word — involved. Yes, they are involved. They are so involved that they neglect to admire the new patio, the excuse for this party in the first place. I finished it last Wednesday, designing and building the whole thing myself, setting it into a three-colored form of a navigator's compass, at the center of which a brass plate marks the exact location of the patio: 34 degrees, 3 minutes, 15 seconds north, 118 degrees, 15 minutes, 23 seconds west. Having been a navigator in the Navy during the war, I made that measurement precisely. Myself.



THE TEACHER
By Charles Deemer

From The Colorado Quarterly, Summer 1969

            If I were a menial clerk, to whose gloom a Dostoevski or a Melville could give cosmic importance, then readily would I win your understanding. We are in an age the sensibilities of which are riveted to the absurd and what, after all, is more absurd than filling a ledger book with numerals, sorting out dead letters, filing away last year's purchase orders or pulling a lever in a factory? If I made my livelihood in so dreary a fashion, you would accept my gloom as being inevitable, deem it significant, and find in it an occasional metaphor for your own misgivings, whatever your employment; you would offer me understanding, empathy, sympathy, at least something more meaningful than what you now offer me, which is flattering but undue praise, or what usually is called "a good press." Were my life filled with physical danger and pain, were mine the life of a hunter, a mountain climber or a boxer, I then would be judged to be a kind of existential hero, for my temperament is naturally introspective. Would that I were a revolutionary, for Christ's sake! But in fact I am a high school teacher, a teacher of the physical sciences, and though compliments, even admiration, periodically come my way, they are presented not with understanding nor with respect but out of social necessity, in precisely the way one might admire the wife of an alcoholic: what she puts up with -- it's heroic!