A. O. Scott on Philip Seymour Hoffman - NYTimes.com:
"We will be denied his Lear, his Prospero, his James Tyrone in another “Long Day’s Journey Into Night.” (He was the son Jamie in a 2003 production of that play.) But he had already, in the last few years, begun to shift from troubled adults to tragic patriarchs. His Willy Loman in the 2012 Broadway revival of Arthur Miller’s “Death of a Salesman” was a scalding, operatic depiction of vanity, self-delusion and raw emotional need, conveyed with force and delicacy sufficient both to deliver the play’s message and to overcome its sentimentality."
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